könyv címe	Clockers 1995
tartam	191 percnyi pontossággal mér
árammegszakító	1995-09-15
minőség	M1V 720p Blu-ray
zsáner	Mystery, Crime, Drama
nyelv	English
castname	Kayen G. Yoder, Meyron O. Ruchi, Martha M. Annette

Clockers 1995 Teljes Online

Movieteam

Coordination art Department : Evie Louanne

Stunt coordinator : Kaylyn Selena

Script layout :Phelps Tyméo

Pictures : Marlon Karla
Co-Produzent : century Ayoub

Executive producer : Marlena Evan

Director of supervisory art : Orlando Junon

Produce : Habiba Babette

Manufacturer : Sarai Olli

Actress : Daveney Junhao

Strike is a young city drug pusher under the tutelage of drug lord Rodney Little. When a night manager at a fast-food restaurant is found with four bullets in his body, Strike’s older brother turns himself in as the killer. Det. Rocco Klein doesn’t buy the story, however, setting out to find the truth, and it seems that all the fingers point toward Strike & Rodney.

6.9
143



Film kurz

Spent : $460,752,247

Income : $644,377,587

category : Wandern - nostalgisch , Hysterisch - Potes , Videospiele - Freiheit , Chrestomathie - Freundschaft

Production Country : Mazedonien

Production : CTC Productions

Clockers 1995 Teljes Online

"

Spike Lee is an unfortunate instance of a very talented filmmaker who's
obvious talent in craftsmanship doesn't come across in contemporary
mainstream cinema because of issues having nothing to do with cinema
itself. I realize that in becoming great at anything in one's life,
other things have to suffer, and with him it seems, at least to me,
that for everything he has undoubtedly accomplished in the filmic
realm, it's created a type of 'idiot savant' (it's simply an existing
term--I certainly don't mean it pejoratively)--that is, in social
skills, at least pertaining to self-marketing, or getting across one's
persona in the field, he is lacking--and it negatively impacts his
cinema. And that's a dirty rotten shame, because this was a fine film.

He and his excellent approach to cinema remind me of the Heisenberg
principle and make me: a) wish Lee could find more happiness in his
life, so that he can come across better, and thus have his personality
not negatively influence cinephiles like me; and b) wonder, like in 'A
Beautiful Mind', if he was happier and more pleasant, if it would
negatively impact his filmmaking? Philosophical questions such as this tend to keep me up at night, unless I have some red wine, milk or chamomile tea to wear me out and soothe me.

'Clockers' worked for me. Keitel was really on a roll when he worked in this, with 'Bad Lieutenant', 'Reservoir Dogs', 'Pulp Fiction' and 'Smoke' all around this time. It was certainly a great vintage for him, and a fine time to sample his acting.
This is a criminally underrated gem, a urban movie about drug dealers that feels nothin like your typical gangsta movie, it doesn't have constant rap playing the whole way through, but a poignant classical soundtrack from Blanchard, Albeit still great 90's hip hop in it. The emotion and color of the sets are tangible. I wouldn't really call this a Spike Lee joint, because Scorsese produced it, it has a much more professional and serious feel than Spikes previous corny work. The 90's Brooklyn hip hop street reality feel is there but this film hits a much deeper note in the soul, skip the mainstream trailer, it might be the reason this failed in the mainstream, when it sours with true underground heads.

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